Kenn Amdahl’s music

I’ve been playing guitar (primarily finger-style accompaniment to Americana music) since ninth grade so you’d think I”d be better at it. I paid for college by giving guitar lessons, playing gigs and doing occasional studio jobs. I became so fascinated with playing guitar I never really paid attention to how my voice sounded.  I’ve written hundreds of songs, and always hoped better musicians would perform them, but it turns out that you really need to be a better singer than me just to have people look past your performance and decide about the song itself. Late in my life I started to try to improve my voice, but I am an old dog with deeply rooted habits.

I don’t have highly polished recorded versions of any of my music. I keep thinking I’ll practice a lot and get better before I record them. I’ll  put a few examples up here for the oddly curious and pathologically bored.

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On August 5, 2017  I (Kenn Amdahl) played a little concert at The Atrium in Eugene Oregon. The concert (it was about an hour long) is now posted on YouTube. The sound isn’t perfect– the video camera picked up the guitar louder than the voice– but for old fans it might be fun to see that the cranky old folksinger is still at it. Because I had “trigger finger,” an inflammation of the tendons of my left hand, I let it rest by chatting between songs more than I normally would.

If you’re looking for a particular song in that video, their approximate locations are as follows:

intro to kenn  00:00

Borderline (a Dave Francey song) 1:20

Must Have Been the Rain (original)
intro: 5:45
song 6:29

Thing about You  (a Tony Joe South song, arr Kenn Amdahl)
intro 9:32
song 10:45

Big Red Barns (original) 14:00

Whiskers the Catfish  (a Fred Engleberg song)
16:30 intro
20:19 song

Shady Grove  (traditional arr Kenn Amdahl) 22:30

Jim Donelan (original)
intro 25:00
song 28:23

Preacher’s Daughter (original)  33:06

Sprig 37:27  (trad. arranged Kenn Amdahl)

July You’re a Woman  (a John Stewart song)
intro: 42:40
song: 47:10

Ain’t Nobody’s Business   (I think a Josh White song) 50:40

Folsom Prison   (Johnny Cash, arr Kenn Amdahl) 53:39

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I was playing in a park for my own amusement when this guy wandered by and recorded me on his cell phone. Turns out he was Shawn Mitchell, a very conservative Colorado State Senator. He posted his little video of me on his Facebook page. We agree on nothing, but became Facebook “friends.” I think you have to sign in to your own Facebook account to watch the video:
Kenn Amdahl plays Shady Grove in a park, in the shade.

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Sometimes, when I give a presentation about writing or publishing, I use the guitar to illustrate points. I don’t have high quality recordings of any of these, but I recently posted a couple to youtube. This one is at the Mile High Science Fiction Convention, and I’m talking about reading the way good writers read:

Kenn Amdahl plays Joshua Fit the Battle

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and this one is is at the Colorado Independent Publishers Association conference, where I’m talking about Obsessions:

Kenn Amdahl performing the David Francey song, “Borderline.”

 

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This is an original guitar instrumental. I incorporated several little moves I needed to practice, so it became a good finger exercise. I’ve never recorded a polished version. This is how it sounds after three glasses of wine:

Ain’t Licked Yet

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In 2012 I learned the Robert Burns song “Slave’s Lament.” Then I did some research on it and learned more of its history. I wrote a blog about it. You can hear the Kenn Amdahl version of the song here:

Slave’s Lament

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Here’s a song I wrote in 1999. The group “Cottonwood” recorded it on their “Floating” CD with Barb Henry doing lead vocals. This is the way it sounded when I showed it to the rest of the group:

When a Woman Shines Her Love on You

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One of my all time favorite Paul Simon songs is Kathy’s Song. I do it a little lower than he does.

Kathy’s Song

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I wrote Locomotive Sound when I was still in high school. The idea was to have the guitar sound evoke  a train.

Locomotive Sound

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Becca Owens is letting her cello spend some time at my house and I’ve been fooling around with it, in a platonic sort of way. I decided that I’d wait to learn to use a bow, because that seems hard. On the other hand,  it didn’t seem that big a reach to hold down strings and pluck them with my right hand, just like I would with a guitar. My friends say that’s not really playing the cello,and they’re probably right. What’s hard is that there are no frets, so you have to press the string down in the exact right spot if you want the right pitch. Why didn’t they just give the instrument frets? Wouldn’t we all be a lot happier?  I have not gotten very far in the few months I’ve had it, but here’s an old folk song as an example of the “style.” I got my computer to play a percussion part, then played and sang along with that. Turns out it’s pretty tricky to sing while you’re playing an instrument you’re just learning:

Nine Hundred Miles (traditional)

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I really like David Francey’s songs, and he’s got a cool voice. Here is my arrangement of his song “Borderline.” It’s much different than his. I do all the guitar, vocal and harmony, my computer does the percussion. I sent him a Facebook message saying that, if he’d rather I didn’t put this up here I wouldn’t. He didn’t respond, so I presume he’s cool with it. Same song as in the video above, but recorded in my basement so I could add a percussion track and some harmony.

Borderline (written by Dave Francey, arranged by Kenn Amdahl)

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Here’s an old folk song, I think maybe written by Josh White Sr. I was fooling around with my computer, creating the percussion by  snapping my fingers, singing and playing one version, then recording another track and making up harmonies as I went. It’s pretty goofy, with tons of mistakes, but fun. At some point I may have to try to do a more careful recording of the “arrangement”:

Ain’t Nobody’s Business

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When my kids were little, they hated my song “Born on the Ocean” It would send them scrambling out of the room faster than anything. Well, shoot, it’s pretty handy to be able to clear a room of little kids just by picking up your guitar and starting to sing a song. Not good for one’s ego, but handy.

Born on the Ocean

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I was in the group Cottonwood for several years.  Barb and Bill had the good voices so I mostly played guitar and sang harmony. But every now and then we’d do one of my originals and I’d sing lead. Here’s my song “Floating” with me playing guitar and singing lead, then playing a banjo tuned very loose on a second track. Barb and Bill sing harmony.

Floating

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Here’s a song I wrote a couple of years ago. It’s not a polished version, but you can get a sense of the song.

Fire and Smoke

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